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	<title>Comments on: INTUIT / “Criança Das Ondas”</title>
	<link>http://www.kalamu.com/bol/2007/01/28/intuit-%e2%80%9ccrianca-das-ondas%e2%80%9d/</link>
	<description>a conversation about black music</description>
	<pubDate>Fri, 20 Nov 2009 22:32:46 +0000</pubDate>
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		<title>by: Anna</title>
		<link>http://www.kalamu.com/bol/2007/01/28/intuit-%e2%80%9ccrianca-das-ondas%e2%80%9d/#comment-6504</link>
		<pubDate>Sun, 28 Jan 2007 16:16:38 -0600</pubDate>
		<guid>http://www.kalamu.com/bol/2007/01/28/intuit-%e2%80%9ccrianca-das-ondas%e2%80%9d/#comment-6504</guid>
					<description>I'm so shocked! I always listen to the jukebox first, then read the conversation just so that I can truly enjoy the samplings you've set on our table. Who knew that most of this slammin' Brazilian music was &amp;quot;canned?!&amp;quot; I am a dancer, and usually we can tell when it's out of the box rather than off the skin because it becomes too even for hips to deal with the line (think ellipses trying to roll as quickly as an arrow flying). In any event, thank you once again for dispelling myths and challenging us to think about blackness as a process, rather than a product.</description>
		<content:encoded><![CDATA[	<p>I&#8217;m so shocked! I always listen to the jukebox first, then read the conversation just so that I can truly enjoy the samplings you&#8217;ve set on our table. Who knew that most of this slammin&#8217; Brazilian music was &quot;canned?!&quot; I am a dancer, and usually we can tell when it&#8217;s out of the box rather than off the skin because it becomes too even for hips to deal with the line (think ellipses trying to roll as quickly as an arrow flying). In any event, thank you once again for dispelling myths and challenging us to think about blackness as a process, rather than a product.
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