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	<title>Comments on: ANGÉLIQUE KIDJO / &#8220;Summertime&#8221;</title>
	<link>http://www.kalamu.com/bol/2005/08/07/59/</link>
	<description>a conversation about black music</description>
	<pubDate>Wed, 07 Jan 2009 00:22:52 +0000</pubDate>
	<generator>http://wordpress.org/?v=1.5</generator>

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		<title>by: drfeelgoed</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-128</link>
		<pubDate>Mon, 08 Aug 2005 05:19:00 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-128</guid>
					<description>I just included her version on a new compilation CD 2 weeks ago, it's awesome! And now you post it here as well, excellent, spread the word!</description>
		<content:encoded><![CDATA[	<p>I just included her version on a new compilation CD 2 weeks ago, it&#8217;s awesome! And now you post it here as well, excellent, spread the word!
</p>
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		<title>by: hristou</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-129</link>
		<pubDate>Mon, 08 Aug 2005 08:20:20 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-129</guid>
					<description>You have Morcheeba (live New Pop Festival 1998-10-23) with Summertime?</description>
		<content:encoded><![CDATA[	<p>You have Morcheeba (live New Pop Festival 1998-10-23) with Summertime?
</p>
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		<title>by: Stephanie Renee</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-134</link>
		<pubDate>Mon, 08 Aug 2005 17:59:28 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-134</guid>
					<description>I love the various versions you've posted here because each has its own unique light (and isn't that the real idea behind interpretation?).

Kidjo's version pulses with a spiritual fire, while the Baker/Chestnut collabo is more languid and - dare I say - humid? Makes me wanna fan myself on a front porch and move slowly...too hot to do any real work, but too enticing to stay indoors. Not sweat, but perspiration.

Thanks for sharing!</description>
		<content:encoded><![CDATA[	<p>I love the various versions you&#8217;ve posted here because each has its own unique light (and isn&#8217;t that the real idea behind interpretation?).</p>
	<p>Kidjo&#8217;s version pulses with a spiritual fire, while the Baker/Chestnut collabo is more languid and - dare I say - humid? Makes me wanna fan myself on a front porch and move slowly&#8230;too hot to do any real work, but too enticing to stay indoors. Not sweat, but perspiration.</p>
	<p>Thanks for sharing!
</p>
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		<title>by: sue ross</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-135</link>
		<pubDate>Mon, 08 Aug 2005 19:11:07 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-135</guid>
					<description>Summertime is one of those classics that lends itself to unique interpretations - so much so that you can make a whole cassette   tape of different versions by the great song stylists of our time, and of course I did (oops- showing my age, need to burn a CD these days). Must have been hard to choose the ones here today. I listen to the incomparable Sarah Vaughan 'Live in Japan', Ella Fitzgerald on 'Ella in Berlin', Dinah Washington &amp;amp; Clifford Brown, Dakota staton on the Late, Late Show', Nina Simone, Billie Holiday, Shirley Horn on 'I remember Miles', Lorez Alexandria, Ernestine Anderson, Lena Horne, even Mahalia Jackson -the list goes on and on. Or John Coltrane's take on his 'My Favorite Things' album, 'Oscar Peterson &amp;amp; Joe Pass', the Uptown String Quartet, Bird, Diz, Louis, Duke, Kenny Burrell. Herbie Hancock or my all time favorite the &quot;Modern Jazz Quartet plays Gershwin's Porgy &amp;amp; Bess&quot;, from Milt Jackson's resonant vibes to John Lewis' elegant piano - a truly magical performance.  (Though you better try and find a LP or an import - the current CD issued by Collectables is abominably mastered, full of tape hiss and distortion)
Thanks for introducing us to Angelique Kidjo's interpretation - I'll add it to my favorites.
There are a few other chestnuts that I have made one-song tapes of, that I never tire of listening to: Round Midnight, My Funny Valentine, Misty and my brother's favorite, Willow Weep for Me.
Looking forward to your next set of musical memories...</description>
		<content:encoded><![CDATA[	<p>Summertime is one of those classics that lends itself to unique interpretations - so much so that you can make a whole cassette   tape of different versions by the great song stylists of our time, and of course I did (oops- showing my age, need to burn a CD these days). Must have been hard to choose the ones here today. I listen to the incomparable Sarah Vaughan &#8216;Live in Japan&#8217;, Ella Fitzgerald on &#8216;Ella in Berlin&#8217;, Dinah Washington &amp; Clifford Brown, Dakota staton on the Late, Late Show&#8217;, Nina Simone, Billie Holiday, Shirley Horn on &#8216;I remember Miles&#8217;, Lorez Alexandria, Ernestine Anderson, Lena Horne, even Mahalia Jackson -the list goes on and on. Or John Coltrane&#8217;s take on his &#8216;My Favorite Things&#8217; album, &#8216;Oscar Peterson &amp; Joe Pass&#8217;, the Uptown String Quartet, Bird, Diz, Louis, Duke, Kenny Burrell. Herbie Hancock or my all time favorite the &#8220;Modern Jazz Quartet plays Gershwin&#8217;s Porgy &amp; Bess&#8221;, from Milt Jackson&#8217;s resonant vibes to John Lewis&#8217; elegant piano - a truly magical performance.  (Though you better try and find a LP or an import - the current CD issued by Collectables is abominably mastered, full of tape hiss and distortion)<br />
Thanks for introducing us to Angelique Kidjo&#8217;s interpretation - I&#8217;ll add it to my favorites.<br />
There are a few other chestnuts that I have made one-song tapes of, that I never tire of listening to: Round Midnight, My Funny Valentine, Misty and my brother&#8217;s favorite, Willow Weep for Me.<br />
Looking forward to your next set of musical memories&#8230;
</p>
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		<title>by: Jerry Ward</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-137</link>
		<pubDate>Tue, 09 Aug 2005 09:32:05 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-137</guid>
					<description>Please play all six versions of &quot;Summertime&quot; on the Kitchen Sink this Thursday.  Play Kidjo twice, because it is an all-too-short aesthetic gem.</description>
		<content:encoded><![CDATA[	<p>Please play all six versions of &#8220;Summertime&#8221; on the Kitchen Sink this Thursday.  Play Kidjo twice, because it is an all-too-short aesthetic gem.
</p>
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		<title>by: Kalamu</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-138</link>
		<pubDate>Tue, 09 Aug 2005 17:17:57 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-138</guid>
					<description>Jerry, will definitely consider that suggestion. My radio show on WWOZ 90.7fm (www.wwoz.org) is the &amp;quot;Kitchen Sink&amp;quot; and is at 10pm (CST) on Thursday nights.</description>
		<content:encoded><![CDATA[	<p>Jerry, will definitely consider that suggestion. My radio show on WWOZ 90.7fm (www.wwoz.org) is the &quot;Kitchen Sink&quot; and is at 10pm (CST) on Thursday nights.
</p>
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		<title>by: Rudy</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-142</link>
		<pubDate>Wed, 10 Aug 2005 20:02:09 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-142</guid>
					<description>Cyrus Colter is the man here in B'more for pianists. Unfortunately, I've never seen him except on TV. He does everything that can be done with a piano, and then more. It does not matter what kind of piano it is -- tuned or untuned, old stand up or grand. Cyrus says, Just let me play. He goes on, &quot;I don’t play to put you to sleep . . . You see these ten fingers, I’m going to get the best I can.&quot; He treats a piano as if it's his woman and he knows her more intimately than any man before or after he came on the scene.

Thanks for the info on Billy Stewart. I did not know what happened to him -- 33, hunh. The man was a musical genius. I did grow up with Billy Stewart, that is, hearing him. I think I might have seen him way back when the Royal Theater on Pennsylvania Avenue were doing three shows on Fridays -- matinee, 8, and midnight. Billy Stewart also did a piece called &quot;I'm a Fat Boy.&quot; And when he sang it, you thought what a grand thing it was to be a fat boy. 

Rudy

</description>
		<content:encoded><![CDATA[	<p>Cyrus Colter is the man here in B&#8217;more for pianists. Unfortunately, I&#8217;ve never seen him except on TV. He does everything that can be done with a piano, and then more. It does not matter what kind of piano it is &#8212; tuned or untuned, old stand up or grand. Cyrus says, Just let me play. He goes on, &#8220;I don’t play to put you to sleep . . . You see these ten fingers, I’m going to get the best I can.&#8221; He treats a piano as if it&#8217;s his woman and he knows her more intimately than any man before or after he came on the scene.</p>
	<p>Thanks for the info on Billy Stewart. I did not know what happened to him &#8212; 33, hunh. The man was a musical genius. I did grow up with Billy Stewart, that is, hearing him. I think I might have seen him way back when the Royal Theater on Pennsylvania Avenue were doing three shows on Fridays &#8212; matinee, 8, and midnight. Billy Stewart also did a piece called &#8220;I&#8217;m a Fat Boy.&#8221; And when he sang it, you thought what a grand thing it was to be a fat boy. </p>
	<p>Rudy
</p>
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		<title>by: hristou</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-143</link>
		<pubDate>Thu, 11 Aug 2005 08:14:17 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-143</guid>
					<description>Thanks for this version</description>
		<content:encoded><![CDATA[	<p>Thanks for this version
</p>
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		<title>by: ekere</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-147</link>
		<pubDate>Sat, 13 Aug 2005 13:36:42 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-147</guid>
					<description>Oh, these are some delicious interpretations.  Thank you.</description>
		<content:encoded><![CDATA[	<p>Oh, these are some delicious interpretations.  Thank you.
</p>
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		<title>by: Shawntaye</title>
		<link>http://www.kalamu.com/bol/2005/08/07/59/#comment-153</link>
		<pubDate>Mon, 15 Aug 2005 16:45:05 -0500</pubDate>
		<guid>http://www.kalamu.com/bol/2005/08/07/59/#comment-153</guid>
					<description>I always liked Billy Stewart's version of &quot;Summertime.&quot; </description>
		<content:encoded><![CDATA[	<p>I always liked Billy Stewart&#8217;s version of &#8220;Summertime.&#8221;
</p>
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